Several details make clear that the old peasant woman lives by a very relaxed sense of time. Haines points out that “We had better pay her, Mulligan, hadn’t we?” To the old woman, “the bill” is something that can be settled now or at some later date. She was probably not going to mention it, even though it has been accumulating every day for ten days, and when Mulligan comes up with a coin to settle most of the tab (prompted by Haines’ exhortation to “Pay up and look pleasant”), the hand in which she receives the florin is “uneager.” To Stephen’s assurance that “We’ll owe twopence,” she says calmly, “Time enough, sir . . . Time enough.”
Joyce shows here the fast-paced, money-based rhythm of modern urban existence, embodied especially in the Englishman, meeting the slow-moving, essentially timeless world of rural Ireland. The gap between these two worlds has narrowed since the publication of Ulysses, but it remains. Eric Cross' 1942 portrait of The Tailor shows a man "prodigal of time," whose favorite saying is "Glac bog an saoghal agus glacfaidh an saoghal bog tú: Take the world fine and aisy and the world will take you fine and aisy" (13-14). Even in the era of the European Union time moves slower in this magical country, as Tony Hawks’ 1998 travelogue Round Ireland with a fridge (1998) makes hilariously clear.