Glimpses of the moon
Glimpses
of the moon
In Brief
It is hardly surprising that Stephen's thoughts are filled with references to Hamlet—he is giving a talk on Shakespeare at the National Library on June 16, a talk that centers on that play—but Joyce shows that Bloom too is very familiar with it. His knowledge of the play is particularly evident in Hades, where the funereal setting prompts half a dozen allusions, but it first comes up in a couple of jokey references in Lotus Eaters. One of them, "Glimpses of the moon," quotes Shakespeare's language exactly.
Read More
In the street, Bloom's recollection of Edward Vining's theory that
the Danish prince was really a woman prompts a zany thought:"Why
Ophelia committed suicide." Later, in the church, he
stands up and notices that two buttons of his vest are
unfastened. That Edwardian standards of propriety were strict
even for the top half of the body can be seen in his
embarrassed reaction: "Good job it wasn't farther south."
"Still," he thinks, women "like you better untidy"; they
"enjoy it. Never tell you." Such interactions with the other
sex make him think of moments when the situation is reversed
and a woman has a piece of fluff on her clothes, "Or their
skirt behind, placket unhooked. Glimpses of the moon. Annoyed
if you don't. Why didn't you tell me before."
What may this mean,The moon glimpsed in Bloom's imagination is a woman's arse. "Moon" has been used to refer to buttocks since at least the middle of the 18th century, and the general sense of "mooning" someone by pulling down one's pants may be older still. As a verb, the word was used to mean "to expose to light" in the early 1600s, sometimes possibly in reference to a medieval practice of defying enemies by baring one's bum.
That thou, dead corse, again, in complete steel,
Revisit'st thus the glimpses of the moon,
Making night hideous, and we fools of nature
So horridly to shake our disposition
With thoughts beyond the reaches of our souls. (51-56)
Bloom reinterprets Shakespeare's language in a characteristically playful and juvenile way: one can imagine such a joke being repeated by children on a playground. But it seems remarkable that Joyce has given him enough detailed knowledge of Hamlet to make the joke at all. As a matter of realistic detail, Bloom's familiarity with the play perhaps comes from having seen multiple stage performances. Symbolically, it helps to ally him with Stephen, who recurrently meditates on Hamlet as he tramps about Dublin in black clothes seeking spiritual fatherhood.