Picking chips
Picking
chips
In Brief
Ulysses shows the human body performing a vast range of quotidian tasks. Of all these activities, one of the most minute and seemingly inconsequential is the human habit of "picking" away the excrescences of noses, fingernails, and toenails. These three actions appear in three chapters. Small mysteries attend each one.
Read More
What Joyce called his "epic of the body" offers an
astonishingly comprehensive picture of the body's actions:
breathing, pumping blood, gazing, averting its gaze, sniffing,
touching, tasting, listening, drinking, licking, chewing,
swallowing, vomiting, urinating, defecating, menstruating,
lactating, copulating, masturbating, dressing, undressing,
washing, hair-combing, nose-blowing, nose-wiping,
tooth-cleaning, knuckle-cracking, laughing, sighing, weeping,
sweating, shivering, coughing, choking, belching, farting,
spitting, sneezing, rubbing, scratching, blushing, dozing,
hallucinating, walking, running, trotting, climbing, jumping,
sitting, reclining, swimming, kicking, grabbing, hitting,
lifting, wrestling, singing, dancing, gesturing, writing,
speaking, panting, growling, shouting, screaming, shrieking,
whispering, whistling, clapping. This is a hastily assembled
list, no doubt incomplete.
Picking one's nose is distasteful to others and hence taboo, but it is one of the small satisfactions of life. At the end of Proteus Stephen looks around to make sure he is alone after laying "the dry snot picked from his nostril on a ledge of rock, carefully. For the rest let look who will." The narrative does not describe him picking his nose, but the cringe-inducing description of Bloom's defecation in the next chapter suggests that this is not because of any squeamishness on the author's part. It may instead reflect Stephen's habitually abstracted attitude toward his own body, or his desire for privacy. Not everyone is so concerned about appearances. In Penelope Molly remembers her father's repulsive friend "captain Groves"––"drunken old devil with his grog on the windowsill catch him leaving any of it picking his nose trying to think of some other dirty story to tell up in a corner."
A picked toenail memorably figures in Ithaca. Taking
off the shoes that have tortured his feet for some sixteen
hours, Bloom finds that the nail of one big toe has poked
through his sock. Some minor surgery ensues: he "picked at
and gently lacerated the protruding part of the great
toenail, raised the part lacerated to his nostrils and
inhaled the odour of the quick, then, with satisfaction, threw
away the lacerated unguical fragment." The smell gives him a
most un-Stephen-like "satisfaction," reminding him of the
smells he got from "other unguical fragments" which he peeled
off his toenails at night as a boy. Bloom's olfactory savoring
of the toenail––an excrescence to be discarded, but also a
comfortably redolent product of his body––represents a common
human, and especially male, experience.
"Unguical" is not to be found in English dictionaries,
but "ungual" is. It comes from the Latin unguis =
claw, nail. Given his excellent Latin and his inventive
deployment of Latinate constructions throughout Ithaca,
it seems possible that Joyce may have coined his adjective
without consulting any English dictionaries, and no one should
object to his spelling an unusual word in an unusual way. Gabler, however,
enforces lexicographical compliance, apparently assuming that
the author made a mistake which he would have been grateful to
see corrected, or that readers will need help making sense of
the text. His presumptuous alteration of "unguical" to
"ungual" has no precedent in earlier printed texts––or
manuscripts, as far as I am aware.
The trimming of fingernails has figured famously in A
Portrait of the Artist when Stephen imagines the
dramatic artist lurking behind his creation "invisible,
refined out of existence, indifferent, paring his
fingernails." In Sirens this action returns somewhat
obscurely when the third line of the overture sounds the theme
"Chips, picking chips off rocky thumbnail, chips." The
reference becomes clear when Simon Dedalus strolls into the
Ormond bar: "Chips, picking chips off one of his rocky
thumbnails. Chips. He strolled." A little later this
image blends with others as Simon stands at the bar filling
his pipe: "He fingered shreds of hair, her maidenhair, her
mermaid's, into the bowl. Chips. Shreds. Musing. Mute." It
seems unlikely that bits of fingernail are going into the pipe
bowl, any more than Miss Douce's hairs are. Both of them float
through Simon's musing cogitations as things he has handled,
things he would like to handle, things that the shreds of
tobacco resemble.